Tag Archives: Dance Tips

  • Y.P.A.D.™ Certification: Special Guest - Katie Gatlin

    We are excited to share insight from YPAD Advisory Panel Member, Katie Gatlin, B.S., M.S.

    katie-galtinOver the summer months, Curtain Call and Youth Protection Advocates in Dance (YPAD), joined forces to collaborate on a Body Image and Special Needs Initiative. The Body Image Initiative focused on a dancer’s experience while trying on costumes, while the Special Needs Initiative promoted inclusiveness in dance by providing a photo shoot with a variety of dancers and providing icons (for sensory integration needs) in the costume catalog. Both initiatives were pioneering!

    I have been a dance instructor for 19 years and owned a dance studio for five years. I have my M.S. in Mental Health Counseling/Psychology and work with adolescents with a myriad of special needs and/or mental health disorders. Being a lead on the initiative committees was an inspiring and humbling experience. It is my opinion, that not only are these initiatives important but that Curtain Call has raised the standard for costume companies. Creating icons for costumes that cited a source for compression needs, fidget needs, and which fabrics are not as itchy; (to name a few) not only assists instructors in choosing a costume for individuals who have special needs but also dancers who have sensitivities. It would have been invaluable to have notation regarding a variety of sensory needs when I ordered countless costumes while I owned a studio. The process of developing icons and categorizing the costumes allowed me to truly conceptualize and appreciate the various nuances of costuming that may affect dancers differently.

    The Body Image Initiative was particularly intriguing but also a bit triggering. When in college I was hospitalized for anorexia nervosa and costuming typically triggered me and my disordered eating and body image. A dancer has a multitude of opportunities to scrutinize their bodies. Dancing in front of mirrors, seeing videos and pictures of themselves, and trying on countless costumes. Although many dancers are excited to receive their costumes, some may experience anxiety and/or deflated body image and self esteem. Through a variety of medias, females learn to view their bodies as objects rather than the intricate machines that they are. Media portrays a narrow and strict definition/idea of what a body should look like or what is socially acceptable. Those that do not fit that definition/idea may feel shamed. That is then compounded by adolescence and their perception. It is a slippery slope and one that needs to be acknowledged and discussed. The Body Image Initiative provides a qualitative glimpse of this process and also provides insight and talking points for studio owners and instructors.

    For many, dance is cathartic and a form of release and expression; however, during a variety of experiences (costuming, competition, recital, etc.) dancers’ insecurities can be magnified. Both of these initiatives revealed a plethora of talking points in regards to the costuming aspect of the dance world. Dance is more than just movement and counts, it is a total body experience that requires the mind, body and spirit of the being. Understanding all that encompasses a dancer’s experience will allow us to better serve our dancers and their needs. The popular YPAD hashtag, put the dancer before the dance, is given clarity through these initiatives. Curtain Call leads the industry in this standard and has proven time and again to put the dancer before the dance.

    For more information regarding YPAD, please visit ypad4change.org.

    Read the full Body Image and Costumes Exclusive YPAD Research article.

  • 2018 Collection: Share the Joy of Dance With Everyone

    We are always excited to launch our new costume line, and this 2018 collection is our most amazing yet! But Curtain Call is more than costumes. It’s about sharing the joy of dance with everyone. Your performance, both on and off the stage, continues to be our passion. Our ongoing mission is to support you, the artist, the visionary, the teacher, and the business owner- so you can perform at your best, and inspire the next generation of dancers. Supporting you means we strive to lead the costume industry by offering quality, value priced styles, exceptional service, and reliable peace of mind, so you, and your dancers, can perform at their best. This season, it also means we strive to recognize and support the mission to celebrate and protect all dancers.

    Curtain Call is proud to be recognized as the first Y.P.A.D™ Certified costume company! Y.P.A.D. stands for Youth Protection Advocates in Dance, and is a nonprofit dedicated to building empowered dance communities to keep youth happy, healthy and safe in dance. By becoming certified, Curtain Call leads the dance costume industry by incorporating diversity, inclusiveness and safety in how costumes are designed, photographed and promoted.

    With the help of Y.P.A.D.’s Advisory Panel members of industry experts, we have dedicated over 100 hours to developing, organizing, and implementing market research and analysis to help studios choose costumes that specifically support children with special needs. The market research was led by Advisory Panel Member Tricia Gomez, the creator of Rhythm Works Integrative Dance, a rhythm and dance program designed for those with individual learning differences and other special needs. In this ground breaking project, 23 amazing children ages 3-14 were involved to help determine which costumes accommodated diverse needs. Using this research, we developed and assigned helpful icons to specific garments in the 2018 collection to help assist you in selecting the right garment for your dancers.YPAD-icons

    “Curtain Call’s willingness to go through Certification training and coming alongside us in this partnership is absolutely monumental for the dance industry. They continue to set a standard for the dance apparel industry which is to always put the emotional and physical wellness of children before profits and potentially harmful trends.” – Leslie Scott, Founder of Y.P.A.D.

    We hope this new 2018 costume line will inspire you with ideas for choreography and performances, as well as inspire you to learn more about how we can all support our youth and #LetKidsBeKids. We are proud to share this new collection with you, honored to support the Y.P.A.D mission, and grateful that you will consider Curtain Call for your costume needs this season.

    On behalf of our entire team, we hope you have an amazing year!

    Tighe King, CEO and the Curtain Call Team

     

    Special thanks to:
    Curtain Call would like to express a Special Thanks to members of Y.P.A.D.’s Advisory Panel of Industry Experts!
    Without their efforts, this project would not have been possible.

    Tricia Gomez, Rhythm Works Integrative Dance

    Katie Gatlin, M.S. Mental Health Counseling/Dance Educator (Committee Leaders)

    Misty Lown, More Than Just Great Dancing™ and Misty’s Dance Unlimited™

    Vanessa Terrell, The Pointe School of Dance

    Tiffany Prout-Leitao, Center Stage Dance Academy

    Dr. Christina Donaldson, Licensed Clinical Psychologist

    Tomi-Ann Roberts, PhD, Department of Psychology, Colorado College

    Leslie Scott, Founder of  Y.P.A.D.™

    Joseph Zanovitch, Director of Y.P.A.D.™

  • Competition & Recital Makeup Tips & Tricks from the Beauties Behind the Curtain

    We know that a dancer's love and passion for dancing is what really makes them shine when they're on stage, but a great costume and a pop of makeup and really accent their look, too! We chatted with our very own photo shoot stylists to get their take on the best tips and tricks for perfecting your stage look!
    Holly&Kimberly

    Meet Our Stylists
    Holly Boyer, owner of Extreme Beauty Makeup, has had over 10 years of cosmetology. One of her many inspirations is Pat McGrath, who is a front-runner in her field and one of the most innovative artists in the industry. Holly’s favorite look for the stage is a good neutral smokey eye and a killer pair of false eyelashes!

    Kimberly Harvey has been turning her friends' hair and makeup into masterpieces for as long as she can remember. At the age of 19, she began working professionally in a salon, in the following years continued to work in the industry with different makeup companies. Recently, she has began to focus on the bridal industry, special events, and photo shoots (like Curtain Call)! One of her inspirations in the hair industry is Celebrity Hair Stylist Jen Atkin, and for makeup, Tom Pecheux! Kimberly's go-to look for the stage is a pretty neutral eye shadow, HUGE lashes, and bold lips!

    Tips & Tricks:

    • When applying false eyelashes, allow for the adhesive to dry for 30–45 seconds before adhering to the lash line. In doing this, the adhesive will become tacky and allow for easier application.
    • Use a damp beauty blender sponge to pack on a no-color powder under the eyes. After applying concealer, allow for the powder to “bake” for 5 minutes before dusting away the excess powder.
    • Use a sponge to press powder into the skin rather than dust, this will allow for a longer wear.
    • For those that may not have a steady hand, use an angled brush when applying liner. To even out any imperfections, use a similar color shadow to smudge out the liner.
    • For younger dancers, give them a more natural look with neutral eye makeup and a pop of lip gloss or a tinted lip balm.
    • When using a curler to style hair, start off with a setting spray before curling and top it off with a finishing spray for extra hold.
    • Primer, Primer, Primer! It’s a girl’s best friend! Use a primer before applying eye shadow or anything to the face to increase wear time.
    • For the stage, use a foundation one shade darker than natural skin tone to avoid appearing pale from the stage lights. Bronzer works well too!
    • Always set makeup with a setting spray after applying makeup, then apply a translucent powder to lock in your look and cut down on any dewiness.
    • Avoid setting powder flashback by blending it extremely well during application.
    • Avoid using cream under the eyes, it will make the under eye look dry and potentially cakey in photos.

    Top Ten Makeup Bag Essentials:
    1. Urban Decay – All Nighter Long Lasting Makeup Setting Spray1
    2. BECCA – Shimmering Skin Protector Pressed Highlighter2
    3. Laura Mercier – Translucent Loose Setting Powder3
    4. Anastasia Beverly Hills – Brow Wiz Pencil4
    5. i.ENVY – Super Strong Hold Eyelash Adhesive

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    6. Ardell Professional – Demi Wispies Eyelashes

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    7. NARS – Velvet Matte Lip Pencil

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    8. Clinique – Take the Day Off Cleansing Balm 8
    9. Crest – 3D Whitestrips

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    10. Tweezerman – Tweezers

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  • Get a Fresh Start: Tips for Cleaning Your Routine

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    By: Jerica Robinson, Relationship Manager

    Cleaning a dance is one of the most vital steps in preparing a routine. Whether it's for competition season, community showcases, or dance recitals, this process can become extremely stressful. And at this point in the year, our students become complacent. I'm going to share a few techniques you can use to clean a routine, while incorporating some fun! In my experience, three of the most helpful ways to clean a dance are breaking them into sections, video-taping, and something I like to call, adding-on.

    Break It Up

    Breaking your dance into sections will help you understand when and where your students are struggling. I like to break my dance into three different sections, and then two eight-counts at a time. By doing so, they can easily learn each section FULL OUT!! After cleaning each eight-count, we gradually speed up the tempo, before adding the music. Once all three sections have been completed, we will then take our dance in halves, using the same process. Although the process is lengthy, it works wonders.

    Hit Record

    I like to videotape the class twice, once with counts and once with music. By watching each video, I can clearly recognize when a student is delayed or anticipating a movement. You can also view the video in “slow motion” which helps you to see simple mistakes. Using this technique, it also allows the class to see any errors for themselves, while also utilizing constructive peer-editing, rather than hearing critiques from their teacher.

    Add On

    The last technique is where the fun begins, add-ons! Breaking the class into two groups is the best way to approach this technique. Starting with two of your most precise students, instruct them through the routine, critiquing as needed. Slowly, add another group of two, and so on, and so forth. By seeing routine in groups and critiquing in real time, each routine will come out cleaner than the last.

    Each of these techniques has a unique benefit and I hope you find them helpful! I also suggest, if your dancers need a little bit of a break, it's always fun to let them do the routine in groups or with an assigned partner. Like I always say, “sometimes hearing a critique from a peer, is a lot easier than the teacher drilling every week”. Remember, you want to keep things exciting to ensure a positive attitude throughout the class.

  • A Dancer's Guide to New Year's Resolutions

    By: Jordann Smith-Kingston, Curtain Call® Intern and Model

    1M-T4060As a college student majoring in dance, I not only spend a lot of time dancing, but also writing, talking, and thinking about dance. My improvements in dance determine my grades, and with constant new ideas, it can be difficult to stay focused on improving. I often easily forget the reason I love to dance. To gain direction and reset focus, I have found goal setting to be an effective solution. The start of a new year is the perfect time to reset the stage and rework the choreography. Here are my 10 resolutions of 2017:

    1. Dance Anytime, Anywhere!
    I often find the urge to do a grand jete or pirouette unbearable. Though, I always refrain, knowing the strange looks that will follow from bystanders. This year I hope to say, “so what?” to the onlookers and move freely, as I wish. I hope my joy for dance will remind me, life is a performance and I don’t need a barre or a class to justify dancing.

    2. Clean Out That Dance Bag
    My dance bag has everything from old homework and orange peels, to athletic tape and bobby pins. It is easy to quickly cram everything in and decide to deal with it later. But, later, is now. A clean dance bag, is a clear mind… which will help me easily find the things I do need, (like the left shoe that always disappears just before class). Keeping the stinky dance shoe smell away is important, too. I recommend after-use spray for shoes, scent balls made for athletic gear, or small bags of lavender.

    3. Ice, Ice Baby
    Icing can help with treating an injury, coping with an ongoing pain, or even preventing a future injury. For many dancers, including myself, this is often ignored advice. The constant strain our bodies endure from dance and other activities increases our risk of overused joints and shin splints. Icing more frequently will help me approach every class and rehearsal more fully charged.

    4. Eat Healthy
    Our diets play a large role in our attitude, energy levels, skin, digestive patterns, and so much more. For dancers, it’s difficult to balance a healthy diet with rigorous rehearsal schedules. To focus on a well-balanced diet, I have decided to implement a few little tricks. Packing light, energy loaded snacks of almonds, berries, or rice cakes with peanut butter, for long days of rehearsal. Precooking my meals, rather than buying on-the-go, to control portions and regulate healthy ingredients. Controlling indulgences, rather than letting the indulgences control me. And lastly, listening to my body and not overeating.

    5. Cross Train for Cardio
    Stamina is my weakest point of dance. To improve this, work must be done outside of the studio to concentrate on strengthening the heart. For dancers, the most beneficial activities are low-impact: swimming, elliptical, hot-yoga, cycling, or Pilates are some excellent examples. These exercises will also build muscle in areas not always utilized through dance.

    6. Get Back to the Basics
    Continuing to take beginner level classes helps to concentrate on basic technique. It is the perfect opportunity to remove the complexity of phrases or movements, and focus on small details, like muscle initiation or positioning. After all, life is about enjoying the little things, like nailing a triple pirouette en pointe for the first time!

    7. Wear Supportive Gear
    Although it’s easy to throw on a pair of flip-flops in the summer, they provide minimal support. Make conscious decisions when choosing proper footwear. Choose something that protects your feet, while supporting your arch and helping you to maintain proper posture and weight-distribution.

    8. See More Professional Dance
    Living in D.C., there are always popular groups or individuals coming to perform. Immersing yourself in professional performances allows you to see things differently or learn something new. Supporting other artists helps to find fresh inspiration and is also a great way to network with other dancers!

    9. Rehearse Before Rehearsal
    Rehearsal is intended for learning new choreography and reworking to perfect technique. It is not, however, time for reviewing old material. By rehearsing before, more time can be spent cleaning and the choreographer will view you as a well-prepared, professional student.

    10. Dance for ME!
    Every dancer has reasons for staying up late and spending hours in rehearsals and class or enduring large amounts of pain. Whatever the reason is, it always boils down to a love of dance. This year, I plan to keep that focus in mind as a mantra. I refuse to dance in order to make someone else approve or to try to dance like someone else or to try to change myself. I will dance because it has been and always will be my first love. It is the one constant in my life and brings me an inexplicable resounding joy that I want to share. Dancing defines me!

  • Giving Thanks to Your Biggest Fans

    flowersEach year on the fourth Thursday of November, many Americans take time to reflect on what they are grateful for. As a studio owner, it’s easy to get caught up as you juggle running your business with the holiday season, but it’s important to thank those who continue to make your studio a success all year long. Doing so shows you care for and respect your customers, which can help strengthen your relationships. Here are eight ways to thank your studio parents and dancers:

    1. Make parents feel welcomed and comfortable. If your studio space allows for it, set up a coffee or magazine station for parents to enjoy while waiting for their dancers. By making your customers feel comfortable and offering small tokens of gratitude, you show you are thinking about the long hours a dance parent may have.
    2. When students or families volunteer in support of studio initiatives or events, take time to write hand-written notes to show your gratitude. A bouquet of flowers for dancers that meet a goal or for parents that go above-and-beyond volunteering to make the studio’s recital or community event a success can also be a nice gesture.
    3. Host a Parent Participation or Observation Day, in which parents of students can experience first-hand or observe a variety of dance styles and classes. Not only will parents have fun and learn more about dance, they will leave with a deeper understanding of your studio.
    4. Thank senior students by allowing them to lead a class. It’s a fun way for students to flex their skills and take initiative with something they love to do.
    5. Organize a student and parent group outing by obtaining group tickets to a local play, musical, ballet or symphony. This allows your studio community to spend time together and enjoy the arts at a discounted price.
    6. Give a discount on classes, costumes or classwear to dancers who register for a certain number of classes or to those who refer others to your studio. Additionally, consider setting up a milestone program to recognize students that have been with your studio for five or more years. Giving out certificates or small gifts (such as framed photos, dance gear, pins or jewelry), can be a sincere and personalized way to show students you appreciate their loyalty and want them to stay and grow with your studio family.
    7. When parents put in extra hours to support studio events, organize a raffle featuring local businesses including spa days, restaurant gift certificates, or parent studio gear for them to wear to competitions. These special gifts show you recognize the work and impact volunteers are making.
    8. For students, host cast parties to help them celebrate and show that you’re thankful for the hard work that they have put in. This gives students the fun time they deserve after all of their dedication and effort.

    Whether it’s a special event or gift, or simply kind words, it’s important to share thanks with your students and their families. Whichever way you choose to show your gratitude, make it personal to continue to deepen your student and parent relationships.

  • 5 Reasons You Need to Leap Over to Your Closest Costume Preview Show!

    By Ashley Zimmerman, National Dance Sales Manager

    Each year, our relationship managers hit the road to meet with studio owners across the country at our highly-anticipated costume preview shows. At the shows, you can view Curtain Call’s latest styles so you can start planning your season’s performances and find the costumes that will inspire you to make your dreams a reality!

    Stop by and visit us at one of this year’s seven full-line shows, or 28 preview shows. Each costume preview show is an opportunity to mingle with other dance professionals, meet your Relationship Manager, enter to win prizes and have some fun. But if that isn’t enough to convince you to join us, here are some highlights from last year’s shows.

    1. Eliminate costly travel expenses - we come to your area! With our Costume Preview Shows strategically located throughout the U.S., we make it more convenient for you! Come alone or bring your whole team for a costume planning event!
      Our 2015 East Coast Premiere Party had quite the layout! Our 2015 East Coast Premiere Party had quite the layout!
    2. Get to know your RM better—they’re fun, we promise! Our relationship managers are just like you – they have extensive dance knowledge, whether as dancers, teachers, or studio owners, so they know what you need to help you through your busy dance season. They’re there for you every step of your journey. Come put a face to a name!
      Everyone enjoyed the 2015 West Coast Premiere Party at the Hyatt Regency Orange County with our RM, Takisha! Everyone enjoyed the 2015 West Coast Premiere Party at the Hyatt Regency Orange County with our RM, Takisha!
    3. Check out the latest styles—it’s way better than browsing online! Our models are actual dancers, making it easy to see how costumes will fit and look on your own students. Additionally, we work hard to ensure that your browsing experience is fun and personalized—you are our VIP!
      Our beautiful models were ready for our Costume Preview Show in Orlando, FL! Our beautiful models were ready for our Costume Preview Show in Orlando, FL!
    4. Mix and mingle with fellow dancers and dance lovers—you may even meet a celebrity or two. With special guests and speakers from all over the country, you can gather the insights you need to help run your business, while gaining inspiration from those who know the industry best.
    5. Enter to win great prizes and receive a $100 merchandise credit, just for attending! We’re excited to show you our new line and want to thank you for coming to our costume preview show by giving you some money towards your next purchase.

    This year we’re excited for even more speakers and fun! Special guests include:

    Steve Sirico & Angela D'Valda Sirico of Dance Teacher Web, MusicWorksDanceTeacherWeb-logo

    Directors--element52

     

    Misty Lown of More Than Just Great Dancing
    MoreThanJustGreatDancing-logoMisty-headshot

    Save the date for an event near you by checking out our full line-up of events here.

  • Top 10 Things All Choreographers Know to Be True

    08232016-ChoreographersChoreography is a form of creativity that has the power to connect dancers physically, intellectually and emotionally. With each piece you develop, you’re creating a story; weaving together not only movements, but ideas and feelings, that dancers and audience members alike can relate to. Even after a long day and aching blisters, there’s nothing else in the world choreographers would rather do.

    Here are ten things that only choreographers will understand:

    1. Creativity can spark at any moment. Whether you’re listening to music on your morning commute or shopping for a new outfit or costume -- you find inspiration everywhere. A new beat or design can get choreography started in your head.
    2. Every new song on the radio is judged on a scale from impossible to easily choreograph-able. You know all the top hits before they are hits.
    3. Your self-evaluation of the choreography makes a mirror your best friend and worst enemy.
    4. Your choreography outfit style changes based on your mood. Sometimes it’s hair down, shoes and harem pants, other times it is shorts and bare feet.
    5. No matter how many times you review your notes, when it comes time to teach a routine, you won’t be able to read your handwriting.
    6. By the end of you teaching this newly choreographed piece, number counts turn into noises. Cue the boom, chas, uh-ohs, etc.
    7. You live your emotions through dance and every choreographed piece represents a part of your life.
    8. YouTube is your favorite social channel. Hours of inspiration right at your fingertips.
    9. You find yourself judging choreography in every dance movie, show and concert, and how your spin could make it better.
    10. Seeing your choreography come to life is the one of the most gratifying feelings you can experience.
  • How Ballet Got Me to The Olympics

    BalletPic Shannon Miller is a 7 time Olympic Medalist and remains The Most Decorated Gymnast in the United States.

    Like many other children, I began gymnastics at the age of five after my parents became terrified that I’d injure myself flipping off the couch or attempting somersaults on the backyard trampoline (there were no nets and pads back then). I fell in love with the sport from the beginning. I was able to flip and turn to my heart’s content. I was learning new skills and eventually stringing them together to create full routines.

    Those that have watched me grow up in the sport know that ballet was a huge part of my career as a gymnast. Even before I started gymnastics, I was taking ballet. In fact, I wanted so badly to go with my older sister to ballet that I called my grandmother and begged her to talk my mother into allowing me to go. She did just that and even paid for my first lessons!

    As a shy child, ballet class was my first opportunity to begin to understand how I could tell a story through movement. Even at a young age, I loved the practice and precision of each move. Those basic classes helped me with body awareness, flexibility, and timing. Of course, I loved the slippers and tights and really loved recitals. For a shy child, I had no problem showing off to a room full of people….as long as I didn’t have to speak to anyone.

    Making the transition to gymnastics did not mean leaving ballet behind. In fact, it was my dance background that helped me understand who I was as a gymnast. During that time, the primary gymnast body type was more of a powerhouse like Mary Lou Retton and then Kim Zmeskal, and the floor routine was energetic, even cutesy.

    I can recall one choreographer trying to get me to shake my hips and my shoulders and “be cute.” Instead I just broke down in tears. I knew it wasn’t me. I knew that if I didn’t love it and didn’t feel comfortable, then the routine would fall flat with both the audience and judges. Ballet was my comfort zone. I wanted violins and dramatic movements.

    I wasn’t particularly powerful. I had these skinny legs and knobby knees. I wasn’t the most flexible or the most naturally talented. However, I loved gymnastics and soon found that I could combine those skills learned through ballet with my gym training to create something incredible.

    Ballet had given me a basic understanding of posture and how important it is to have a solid foundation for larger skills. Ballet helped me understand “grace” in a way that I may not have understood through gymnastics alone. As I grew in the sport, I continued with ballet at least once a week. I found that incorporating what I learned through ballet allowed me to excel on balance beam and floor exercise. I was able to differentiate myself through my dance and attention to detail.

    When someone asks me about my favorite moments, it’s difficult not to think of my floor exercise routines. One of my favorite quotes from a commentator was, “Shannon just pulls in every note”. My goal with the choreography was to stay true to myself. I may not have had the most or even best training, but that foundation through ballet allowed me to connect my movements to the audience, to truly tell a story.

    While I became known for the artistic portion of my gymnastics as much as for my difficulty in skills, I don’t consider myself a great dancer, but rather, a lover of dance. I will always be grateful for my grandmother who gave me my start, for my parents who helped me follow my dreams, and for my coaches who understood the importance of ballet to my overall training and success.

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  • New Year, New Blog

    Curtain-Call-2016-BlogFriends of Curtain Call,

    Happy New Year! 2016 is already off to an exciting start: our model casting calls are in full force (and the talent is incredible!). It was recently announced that Dirty Dancing will be revived for the small screen this year, Flesh & Bone was nominated for several Golden Globes and So You Think You Can Dance is celebrating its tenth birthday. Yes, I think this will be an exciting year for dance, indeed.

    We at Curtain Call don’t like to sit in the wings as exciting things happen—we like to stand with you at center stage. That’s why our New Year’s resolution is to not only provide you with the best dance costumes and service, but to also provide business and dance tips that all studio owners, dance teachers and dancers can use.

    It is with great pleasure that I officially mark the relaunch of the Curtain Call blog. Here you will find insights into topics like: costume design trends, how to prepare for each dance season, best business practices for studios, dance culture and exciting developments in the dance world. We would love to serve as a trusted resource to you on these topics.

    We hope you’ll follow along with our blog and be an active member of our community as we discuss various topics that are important to all dancers and dance lovers. I encourage you to comment on these blogs and share your insights and questions.

    Keep dancing,
    Tighe

    Follow us on Facebook, Twitter, Instagram and Pinterest.

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